What Good are the Arts?

Original post at The Lumiere Reader.

Anyone who’s had an argument about art knows that it can be as bad as politics or religion for getting our egos riled up. I myself have experienced something close to homicidal rage when a relative of mine declared his love of classical music to be wiser, more sophisticated and closer to God than my love of literature.

So when I attended What Good are the Arts?, a highlight of this year’s Auckland Writers & Readers Festival, I confess that I was gleefully hoping for a fight. The topic was a book of the same name by John Carey, Emeritus Merton Professor of English at Oxford and book critic for the London Sunday Times, who argues that not only is it foolish to say that music is inherently more valuable than literature, but it’s impossible to prove that art benefits society or makes us better people. He was joined by Denis Dutton, a philosopher at the University of Canterbury, and Sarah Thornton, chief writer on contemporary art for The Economist.

Interview: Bryan Bruce

Investigator Bryan Bruce’s new book re-opens the 2000-year-old case file on Jesus of Nazareth’s death. Original post at The Lumiere Reader.

It’s an image that sticks with you. Bryan Bruce, New Zealand documentary filmmaker, is in Israel with his camera crew, on his way to the River Jordan to film a scene at the spot where Jesus of Nazareth was baptised by John.

“I have to be taken under armed escort by the Israeli army,” he tells me over the phone, “with a tank behind me and an armoured personnel carrier in front of me, through a minefield, to get to the River Jordan. I get to the river on this spot, and on the other side are Jordanian tanks and armoured personnel carriers. And the Israelis shout across to the Jordanians, ‘If you don’t want to have your tanks filmed, you might want to move them slightly to the left.’”

This jarring contrast between Biblical mythology and political reality is the challenge of Jesus: The Cold Case, Bruce’s third book and its accompanying documentary. Drawing on his experience as a true crime investigator, Bruce takes on the New Testament narrative of Jesus’ death and comes to a grim conclusion about the role it has played in the religious and ethnic conflicts of the last 2,000 years.